Creative Collision Blog

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Ink


How is ink made? I didn't quite believe a description of this video, that ink making had a very personal touch to it. Were they going to crush up pigment on a stone by hand for industrial purposes? But the mesmerising quality of the process captures something that really makes our printed world the vibrant, textured brilliance that it is today.

A long video, but worth the incredible effort used to make the ink we take for granted. Also check out the blog post about Canon's playful use of ink and sound.

Heart

Some street art on the fence of a rugby venue in Bath in the UK, delineated by the absence of mold.

Just goes to show, no matter where you go, you can't escape the rugby. Since the finals and NZ's victory, the whole thing is being dissected bit by bit, under a microscope with analysis. I feel it's time to move on.

Dump

"DUMP NO WASTE FLOWS TO THE SEA" says the placard over just about every stormwater drain in the city. Yet from the picture, it looks as if the sea can't get enough - the Maltesers, Coke, L&P and, dare I mention it, coffee. As humanity force feeds the seas around us, the semi-sunken ship of Rena comes to remind us of truly how much crap flows to the sea.

Paris1


On an intense 2 day run around Paris, my brain is saturated with the stuff of creative dreaming. How did Monet come to paint the series of Water Lilies? How did Le Corbusier  and his cousin Jeanneret come up with the innovatively planned Maison La Roche when nothing of it's kind had ever been done before?

The Musée de l'Orangerie houses the famous Water Lilies (Nymphéas) series by Claude Monet. Although I have seen these works many a time in publication, I had never expected them to be so large and expansive. You could actually walk along the works - hung in a beautifully daylit oval room - and experience the landscape that Monet really only dapples the impression of. Although the gesture involved in painting these scenes is interesting in itself, Monet proves one of the most powerful of colorists in the way that nothing really looks like it is supposed to, nor sometimes the colour it is in real life, but when seen through squinted eyes (or in my case, removing my glasses) the paintings transform into a hazy but definite portrayal of the idyllic water lily ponds full of depth and personality.

The museum itself, known for it's focus on Impressionism, used to be a glasshouse built especially for growing oranges - yet another whim of one of France's kings. Models show how over time, this 'Orangerie' has changed and developed to it's current form, so elegantly displaying Monet's prize work as well as the likes of Picasso and Cezanne.


Another highlight of my Paris trip was going out of my way to the Le Corbusier Foundation, housed in the Maison La Roche, a wonderful double residential unit + gallery on a tiny site. Multi-storied in a fragmented way with dramatic ramps and the horizontal windows trademarked by the Modernist Architecture movement, one can really see how it all came together and see how this sometimes dated looking period of architecture was a real milestone for our contemporary practice today. Architecture students were all over the place, drawing the rooms, the facade and pilotis, soaking in the inspiration which made Le Corbusier an architect idol of sorts. And I just found out that the day I went was the day of Le Corbusier's birth! Fitting indeed.